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The thin economics of blockbuster piracy The financial victims are easy to name: distributors, theater chains, and—arguably—the filmmakers themselves. Blockbusters rely on opening-weekend numbers; every diverted viewer is a potential lost ticket sale. But the economics are more complicated. Blockbuster films are often backed by multinational studios with diversified revenue — satellite rights, streaming deals, merchandising — that can blunt immediate losses. Meanwhile, smaller films and regional producers often face disproportionate harm because box-office returns are their lifeblood.