The film opens with journalist Vittorio (Roddal) investigating the brutal murder of a young woman, Anna Fritz, whose body is discovered under suspicious circumstances. As Vittorio delves deeper, he uncovers a pattern of violence: other victims have been killed in the same area, their deaths initially dismissed as accidents. Meanwhile, a new group of friends—among them Elena (Carla Gravina), a single mother, and her son—moves into Anna’s apartment, unaware that the building is a hotbed of horror. Elena, haunted by nightmares and visions, begins to suspect that the killer is still hunting in the neighborhood. The tension escalates as the killer stalks the new residents, culminating in a harrowing game of cat-and-mouse. The story explores trauma, grief, and the psychological toll of unresolved fear, with a climax that leaves few untouched by the killer’s shadow.
The film opens with journalist Vittorio (Roddal) investigating the brutal murder of a young woman, Anna Fritz, whose body is discovered under suspicious circumstances. As Vittorio delves deeper, he uncovers a pattern of violence: other victims have been killed in the same area, their deaths initially dismissed as accidents. Meanwhile, a new group of friends—among them Elena (Carla Gravina), a single mother, and her son—moves into Anna’s apartment, unaware that the building is a hotbed of horror. Elena, haunted by nightmares and visions, begins to suspect that the killer is still hunting in the neighborhood. The tension escalates as the killer stalks the new residents, culminating in a harrowing game of cat-and-mouse. The story explores trauma, grief, and the psychological toll of unresolved fear, with a climax that leaves few untouched by the killer’s shadow.